Squaw Valley
Cross’s structured ceramics cull from his background in printmaking, asserting highly graphic qualities over the common curvilinear functions of a ceramic pot, referencing geological formations: cliffs, plateaus, and icebergs, as well as man-made, architectural formations such as towers. In that, Cross’s work, though small, suggests the monumental, resonating with a rigid and formidable presence that echoes back both nature and technological might. There is also the undeniable influence in his work from the artists for whom he printed while at Gemini – Richard Serra’s brawny and stalwart shapes find many iterations in Cross’s pots, as do Kelly and Shapiro’s geometries.
If you are in Dallas, please come see the wonderful work of my friend Jonathan in a little show I've curated of about 70 of his small pots, at Bows and Arrows. The opening is Saturday, June 18, 2011 from 6-9pm. More info here.
Thursday, June 16, 2011